08.09.2020

 

›image/con/text. Documentary Practices between Journalism, Art and Activism‹


How to make images matter? The search for new narrative forms in the field of photojournalism and documentary photography – stretching perspectives beyond the conventional understanding of the documentary form – was a central motivation behind Images in Conflict / Bilder im Konflikt. In the second [IMAGE MATTERS] publication we delve further into the possibilities of the documentary and the development of visual narrations that subvert stereotyping and traditional viewing habits. 

New journalistic and artistic narrative forms generate new perspectives for photojournalism and documentary photography, stretching and transcending the conventional bounds of the documentary form. This is seen very clearly in the medium of the photo book, but also in film, multimedia and the comic genre. Works building on a complementarity of evidence highlight the contextuality of photography, demonstrating how meaning can only be comprehended through a complex interplay of image, text and document. The strategies examined in this volume bring together journalistic, artistic and activist positions, weaving fact and fiction to reveal the constellations of power in the process of representation.

With visual and written essays by:

Laia Abril, Crofton Black, Edmund Clark, Susanne von Falkenhausen, Joan Fontcuberta, Karen Fromm, Sophia Greiff, Thomas Helbig, Eva Leitolf, Regine Petersen, Max Pinckers, Peter Puklus, Malte Radtki, Fred Ritchin, Anja Schürmann, Alisha Sett, Anna Stemmler, Florian Sturm, Friedrich Weltzien


edited by Karen Fromm, Sophia Greiff, Malte Radtki, Anna Stemmler
Reimer Verlag, Berlin 2020
with texts in German and English
352 pages, 168 figures, 29,90 €